CORTEN fundamenta su actuaci\u00f3n en un enfoque que articula cultura, pensamiento cr\u00edtico y acci\u00f3n transformadora, entendiendo la cultura como un campo din\u00e1mico desde el cual es posible interpretar, cuestionar y reconfigurar las realidades sociales. En este marco, se nutre de la Teor\u00eda Cr\u00edtica como horizonte anal\u00edtico y pol\u00edtico, orientado no solo a la comprensi\u00f3n de las estructuras y relaciones que configuran los contextos, sino tambi\u00e9n a la generaci\u00f3n de condiciones que favorezcan procesos de cambio social, fortaleciendo capacidades para la reflexi\u00f3n, la participaci\u00f3n y la transformaci\u00f3n.<\/p>\n
Este enfoque se complementa con la noci\u00f3n de actor\u00eda, entendida como el proceso mediante el cual los sujetos se reconocen como protagonistas en la construcci\u00f3n de su realidad, estableciendo una relaci\u00f3n cr\u00edtica y propositiva con su entorno. La actor\u00eda implica un recorrido que, aunque no necesariamente lineal, integra momentos clave: una lectura cr\u00edtica del contexto, la identificaci\u00f3n colectiva de problem\u00e1ticas y potencialidades, el dise\u00f1o de propuestas orientadas a la mejora o transformaci\u00f3n de dichas condiciones, y la implementaci\u00f3n de estas acciones acompa\u00f1adas de procesos de monitoreo, evaluaci\u00f3n y aprendizaje.<\/p>\n
Desde esta perspectiva, CORTEN orienta sus intervenciones a promover que los diversos actores vinculados a sus programas, proyectos y procesos transiten este recorrido, fortaleciendo su capacidad de agencia, su participaci\u00f3n activa y su incidencia en los contextos en los que se desenvuelven. De este modo, la actuaci\u00f3n institucional no se limita a la ejecuci\u00f3n de acciones, sino que busca generar procesos sostenibles de construcci\u00f3n colectiva de conocimiento y transformaci\u00f3n social.<\/p>\n","protected":false},"excerpt":{"rendered":"
CORTEN fundamenta su actuaci\u00f3n en un enfoque que articula cultura, pensamiento cr\u00edtico y acci\u00f3n transformadora, entendiendo la cultura como un […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-94","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/portal.corten.org\/index.php?rest_route=\/wp\/v2\/pages\/94","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/portal.corten.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/portal.corten.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/portal.corten.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/portal.corten.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=94"}],"version-history":[{"count":5,"href":"https:\/\/portal.corten.org\/index.php?rest_route=\/wp\/v2\/pages\/94\/revisions"}],"predecessor-version":[{"id":123,"href":"https:\/\/portal.corten.org\/index.php?rest_route=\/wp\/v2\/pages\/94\/revisions\/123"}],"wp:attachment":[{"href":"https:\/\/portal.corten.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=94"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}